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If it didn’t, it wouldn’t be a classic it would be forgotten. ‘Drive My Car’: In this quiet Japanese masterpiece, a widower travels to Hiroshima to direct an experimental version of Chekhov’s “Uncle Vanya.”ĭouglas McGrath, who has directed movie versions of both Austen’s “Emma” and “Nicholas Nickleby,” by Charles Dickens, wrote recently in an e-mail message: “What makes a classic a classic is that the story always has relevance to whatever generation is reading it.‘Passing’: Set in the 1920s, the movie centers on two African American women, friends from childhood, who can and do present as white.‘Spencer’: Kristen Stewart stars as an anguished, rebellious Princess Diana in Pablo Larraín’s answer to “The Crown.”.
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‘Summer of Soul’: Stevie Wonder, Mahalia Jackson, Mavis Staples and others shine in Questlove’s documentary about the Harlem Cultural Festival.
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Scott and Manohla Dargis, selected their favorite movies of the year. So moviegoers may be forgiven if in recollection all the “Jane Eyres” seem to blend together in one continuous loop, with Joan Fontaine, the 1943 Jane, suddenly becoming colorized and morphing into Susannah York, while Rochester turns, like a character in a horror film, from Orson Welles into George C. Several, including the current one, were even filmed on the same location: Haddon Hall, an ancient, battlemented manor house in wind-swept Derbyshire that gets pressed into service whenever British filmmakers need someplace old and dank looking. So far there have been at least 18 film versions, going back to a 1910 silent movie, and 9 made-for-television “Janes” so many that they sometimes seem to quote from one another as much as from the novel. Of all the classic 19th-century novels, Charlotte Brontë’s “Jane Eyre” has been by far the most filmed, outstripping even the ever-durable “Pride and Prejudice.” CARY FUKUNAGA, the director of the new movie version of “Jane Eyre,” which opens Friday, joked recently that there was an unwritten law requiring that “Jane Eyre” be remade every five years.